The Butcher Ain’t Coming-He’s Here

If you listen to rap music, you may have heard the phrase: “the butcher coming *****”.

(his iconic tag comes in at 30 seconds)

If you happened to click and listen to that musical masterpiece, you might have an early understanding of the talent Benny possesses on the mic. In an era of beats carrying the songs, basic rhyme schemes, and somewhat lazy successes, Benny is a breath of fresh air thats been grinding on the rap scene for quite a bit. 

Under the Griselda record label, Benny and his other Buffalo brethren have blown up in the rap scene over the past couple of years with consistent projects with their own trademark sound-hard bars over simple but grimey beats by their good friends alchemist and daringer. While each of the 3 have their own strengths, Benny to me stands out as the one with the star power and relentless raps to break into the mainstream (which he already has a bit with his last single with Jermaine).

With his latest project Tana Talk 4, Benny adds another great body of work to his magnum opus to fans, the Tana Talk series. Tana Talk 3 is held in high regard to fans of the butcher, and a lot were worried about the fourth installment being a bit of a let down since the expectations are as high as they could be. As an artist, you’ll never make everyone happy. But for me, Tanat Talk 4 picked up right where the third left off. Maybe a little more polished and a little shorter in length, but Tana Talk 4 delivered classic Benny with some additions of features that cater to a broader audience like P Diddy. But don’t worry, Benny still calls on his NY and griselda clique to give features fans know them best for. 

With most music reviews, I’d rather keep the writing a bit on the shorter side in hopes for you to close out and give the records I talk about a spin. If you like rap, I think you could be sleeping on Benny. If you like melodic rhymes and catchy hooks, maybe keep napping as the Griselda crew always delivers raw, barebones raps and production.

Stream it here:

PS- I recently saw benny live and the performance was great (aside from being about an hour late). No backup vocals and The Butcher spitting a cappella made for an impressive vocal performance with minimal breaks.

Handwritten Posts 001

The scene of the crime.

Initially, I didn’t want any words typed-just the handwritten note. but there should be some context.

I decided to handwrite a post for the hell of it. It wasn’t any sort of structured post, just a free write with a pen and paper. In classic writer fashion (or at least how I picture them in my head), I had to write on the back of 3 seperate to do lists since i had no classic line paper. Upon beginning, I got instant flashbacks to my writing prior to actually enjoying it. Standardized tests and high school english assignments. But that’s enough. Read it below.

A YEAR IN CLOSURE

It’s 8PM on a Friday. It’s actually NYE, to be precise. I take another sip of wine out of a stemless glass (they just look better). Mixtape Lil’ Wayne plays out of my Macbook speakers. I have a pretty decent speaker setup in my bedroom, but something about the old music with the rawness of kinda shit speakers strikes a cord. Now about the wine. One of my new things to try in 2022 is wine. Sure, I’ve slapped the bag and drank wine before. There have been many deadly hangovers in my day from a classic Wine Wednesday. But I’d like to get an appreciation for it-similar to my love for coffee. It’s funny though, I make a resolution to drink more alcohol even though I am trying to kick liquor of all kinds to the curb in 2022. Not for any reason other than it just makes you feel so shit the next day. Don’t worry-I’m still going out tonight. I can’t just sit at home on Fridays and Saturdays. But it’ll be light in comparison to previous years. 

The idea of resolutions I think are great. I saw somewhere on social media someone say a statement along the lines of “I don’t make resolutions because I don’t wait”. Sick man. I’m not saying I wait until the new year to actively try something either or achieve a certain goal. But I find a new year let’s you account for all happenings of the last year and focus on things you might not have gotten to put attention towards or you missed out on trying. Sometimes, it’s a challenge to do something within the year (like surf 365 surf sessions, or my new number based challenge, train 1000 rounds of boxing drills). I also feel like it’s a time at the end of the year where people are more comfortable sharing what they improve on (even though that should constantly be in conversation).

If anyone thought I was doubling down on 365 surfs as a resolution-you are wrong. It wasn’t terrible in the moment, but it was grindy. There just wasn’t enough swell this year (not that I was trying). And I knew with how I was approaching it that it probably wasn’t going to happen. The number? A little over 300. Not bad but a decent bit off. I just always try to surf when I can.

This wine is OK. In my newfound trials I have for sure found better. But I still don’t know much about it. “Banned” by Lil Wayne just came on. It’s Weezy sliding over the old N.O.R.E. beat from Banned From TV. A classic. But back to the year coming to a close. I’ve been lagging on writing, which is unfortunate because when I get in a groove with it I write my best and it just feels good to vomit on the word doc. That’s kind of what this one’s about. Just a quick journal-esque rambling before I decide to shower and head out. What else can I jam in here before it seems like some quickly written blabber (in pure honesty it is)? Upon taking one last sip and looking up, this has some decent substance to it. Self reflection, new ideas for 2022, surfing, music, and some witty sentences (self proclaimed). Check ’em all off. That’ll do. Onto 2022.

THE RAGER RETURNS: MOTM3

If you have been a fan of hip hop for the past decade or so, the name Kid Cudi does not strike you as a new gen rapper or a new face on the scene. Albeit he has “Kid” in his name and could easily be confused with another “Lil”, he is far from that. His first project, “A Kid Named Cudi” features some classic Cudder cuts that introduce you to his style and was an initial mark that Cudi would be a breath of fresh air in the rap/hip-hop genre. Following this project is what most would call his magnum opus: “Man on the Moon”. This would feature platinum hits like Day N Nite as well as Pursuit of Happiness. Cudi had arrived and been here to stay since this release in 2009.

Fast-forward to 2020 and we’ve heard a lot from Cudi (maybe almost too much), most recently was the Kanye-collaborated Kids See Ghosts, which received much acclaim. In between, Cudi had released Man on the Moon II in the early 2010s, delivering the classic Cudi sound we have come to know and love. But since then, it’s been peaks and valleys for most Cudi fans. WZRD, Satellite Flight, Indicud, etc.. share eclectic sounds and not your classic Man on the Moon Cudi. Some loved it, most hated it. Cudi was expanding his sound and trying new things, something most great artists do at some point during their career.

But with 2020 being a lock from quarantine and Scott having some extra time on his hands, he got to work. In the middle of the year we were teased with the trilogy to the Man on the Moon saga, and on December 11th we were blessed with a new Cudi project. Safe to say everyone was uber excited. Most didn’t know what to expect- since the only times they had heard Cudi recently were on the Kanye collab tape and on his #1 single this year The Scotts which featured the help of Travis Scott. So what would we get from Kid Cudi for Man on the Moon 3? All we could do is wait and hope.

Exactly what we were anticipating is what arrived in December. See the thing is, Man on the Moon 1 & 2 have the distinct Cudi sound- catchy hooks, half happy half sad, hum assisted, sneaky-bar-filled music we have come to love from Cudder. The intro of MOTM3 features a sound from the second man on the Moon album, and it feels like there wasn’t a 10 year gap that had starved the fans of the series. One of my favorite cuts, Tequila shots, plays next, and boy did I get excited when this song started. Cudi is back. I don’t want to deep dive into every track, as I want you to hear it for yourself. When I finished the album, I was very happy and content with Cudi. It made me revisit his old work, which is also still very pleasurable to listen to. He has truly lasted the test of time and has left his mark on the music scene in many genres.

But let’s focus on the new, and not dwell in the past. There are for sure some pretty classic sounding Cudi tracks, as well as some that feature more of Scott proving his rap chops. The main thing that I believe sets apart this project from the past 2 is just how much modern influence is involved in it. Enlisting his normal producers, he also tapped upon Take A Day Trip to help with production, who has made songs with everyone from Lil Nas X to Big Sean to Dua Lipa and so on. You can tell that the songs feature the classic Cudi sounds but often have modern takes like hard hitting bass and hi-hats. Also, this is the first time we really hear Cudi ad-lib on some tracks, a staple in modern hip-hop. But I think this is enough words and thoughts- if you haven’t listened yet, I suggest running it top to bottom, no skips, no shuffle. If that seems out of your wheelhouse, check out my favorites below. You won’t be disappointed. 

HIMOTHYS DISCOGRAPHY

Shameless self promotion for my budding music career. Well, it’s not really budding, but that’s not going to stop me from having fun with it! If you haven’t figured it out, when quarantine first hit I picked up the new hobby of making chunes. I first thought I also could pick up rapping, but was sadly mistaken. But the beat making definitely stuck. A 90-day trial turned into a 180 day trial (thank you Ableton for randomly extending my trial) turned into a 100 dollar purchase. I am locked in now. It definitely took up the bulk of my idle time early in quarantine when writing was a little bland and it has been so fun to learn and practice. Over time I like to think I’ve learned a decent amount and my most recent beats sound better than the older ones. Some time was spent looking for good sounds, some playing around in Ableton, and lots learning from others. I’ve talked about how fun it is here. It has led to some fun nights with buddies just coming over to vibe and try to lay bars over tracks. Or cook up a beat with himothy himself (Himothy & Friends tape in the works). I’ve actually put out a decent amount of music that I like. By the time I post this, I would have dropped a little EP every Friday of October for my birthday. And then a 7 track album of HITS right after. Give me some dap.

I just want to break down the discography since I’ve been making a bunch and they all have a little unique sound. What’s the point of making them if I ain’t proud of them and not marketing them? It would be pretty cool to somehow luck into a placement of ANY rapper. Or have more than 10 plays per song on soundcloud. This is highly unlikely (for now). So for the time being, just enjoy the sounds and to try to run up those plays because they are way too low. 

(The playlist below features picks from all my projects in a playlist, because posting all projects would make this post require too much scrolling.)

HHV1

The first pack of hits. This has my earliest beats that I thought were pretty good and wanted to put out there. Typically artists don’t start with a greatest hits album, but I did.

SPACE N SYNTH

The first experiment. This one just has a crazy ass sound like we are speaking to robots. If we lived in a simulation, this might be the soundtrack.Typically, you wait until you are solidified before you make your first experimental album. I did not. 

PERC 4 PACK

No melodies, just drums. This one hits pretty hard with big kicks and loud 808s. It was one of the easiest to make, a sometimes the simpler the better. 

HHV2

The second pack of hits. You can hear a little bit of improvement in comparison to HHV1. I try to use a ton of different loop styles to keep it fresh and diverse. 

CORONA COMPILATION

Some of my best work from locking in during a weekend. It has some of my all time favorites(for now). I actually cooked up more than 10, but these 10 were the cream of the crop. Others will trickle into different projects with some revisits. 

WEST COAST SOUND 

My best take at some west coast hip hop. The best track couldn’t make it because of copyright, which is a bummer. But it’s rap beats from the state I currently live in.

SENEGAL SOUNDS

An EP revolved around a splice exclusive pack. It features unique instruments and a unique sound native to the African country Senegal. It was one that I just ended up with 4 without noticing they were all from the same pack and added 2.

HEADS WILL ROLL

This is some early 2000s shit. The pack I used most was by Breathe Carolina, which you may be familiar with. This is so far the most off-beat music I’ve made (in terms of being away from hip-hop).

FLAVA

Warm vinyl sounds and the 90s. This is some boom bap Himothy style. My friend asked me to make one and I ended up liking the construction of the beats, so I made 5 more. 3 were unable to post due to copyright, so this was a small pack. 

SATIN SHEETS

My birthday wish was to have an R&B tape. It contained my first feature by my pal Jacob. R&B and hip hop are close in relation to beats, but the vibe is completely different. It also turned out a little bit more reggae. 

HHV3 

And now back to the hits. Like I’ve drilled into your head: different sounding beats and styles but the cream of the crop. The most recent himothy hits are always my best work.